Krishna has been in New York, making documentaries. But, following the death of her grandmother, the all-knowing Dadiji, Krishna returns to her home village in a part of India so feudal, almost medieval in its ways, that in spite of her essential urbanity and modernity, she must make concessions to tradition. A strange bequest awaits Krishna upon her return. From beyond the grave, Dadiji directs Krishna to enact her dharma (duty), which it transpires, is to document on film the last days of Damayanti, a strong-minded lawyer who, upon the death of her husband, will commit sati. Krishna, the “warrior” and the first girl child to be born to her family in five centuries, finds herself caught between the modern world of loose ties and casual relationships (as personified by her westernised lover, Natchek), and the older ties of blood and obligation, where honour transcends love. Always a rebel, Krishna has to confront the fact that her dharma comprises an act as conforming and backward as it is subversive…
Sunny gives an overview of the book:
Dadiji always said that Meera was "dard deewani", pain-crazy. That was a special madness, created specially for poets and too-much love women. Not like Radha at all, who was love-crazy, satiated by kisses and caresses, fulfilled and brazenly asking for more. I knew about love-crazy women. My mother was one of them, forsaking everyone, her family, her career, her child simply to follow my father all over the world. Waiting for him to come home in the evenings, filling herself with dreams all day, and loving him all night. Everything else in the world was simply a great distraction, something that kept her away from her one sole satisfaction - loving her man. Even me.
But I never understood what pain-crazy was like. Sometimes, I thought of the elephant I had seen my grandfather bring down in the fields in our village-relative house. Its many rooms filled with so many people, all cousins, and uncles and great-uncles, aunts and great-aunts. All relatives in that house, or at least on the ground floor.
Actually, it was our house too, at least once you climbed the narrow steps up to the upper floors. It rose like a vast pale yellow monster with its red-brown tiled head amidst the brown and ochre mud homes of the village. At the very top was Baba's room, a long hall lined with old photographs and dusty weapons, where a large desk guarded the inner doorway and the tall windows formed a semicircle of vision over the approaches from the city to the north.
You could walk out of the windows into a tiny balcony to get a clear view right up to the mango groves in the distance. The south side of the room also had a window, a tall, floor length French window with beautiful etched glass panes and a heavy mahogany pelmet. Except the south window opened into nothingness. Just a two-story fall onto the hard regular flagstones of the courtyard. "Is this a trap window? For enemies?" I had asked Baba once. He had laughed at the idea.
"I hadn't thought of it, but now that you say so, shall we try to find an enemy to push out of it," he had asked me seriously, once he had stopped laughing. For weeks afterwards, we had tried to find a suitable candidate for pushing out of the south side window. Then we decided, that all of Baba's foes were in the city. And unless one of them could be brought to the village, the window would have to remain un-inaugurated by the enemy.
About Sunny
SUNNY SINGH was born in Varanasi, India, and grew up in various parts of the world. Her first novel – Nani's Book of Suicides – was first published by Harper Collins India Pvt Ltd in 2000 and described as a "first novel of rare scope and power." The Spanish...
Published Reviews
Sunny Singh’s new English-language novel, With Krishna’s Eyes, is a disturbing and eloquent exploration of the dark side of “Shining India”, in which the modern and globalised coexists...
You can call it the revenge of Edward Said. His 1978 book, "Orientalism," was about how the West sees (and defines) the East. Sept. 11, 2001, flipped the direction of the lens. Suddenly it became important...










Note from the author coming soon...