TV shows began to veer into social territory in the 1970s, especially "All In the Family". Carroll O'Connor played Archie Bunker, the epitome of everything liberals despise. In turning him into a cartoon character, and also because O'Connor's acting skills were extraordinary, they came close to overshooting their mark and making Bunker more popular than creator Norman Lear, a liberal's liberal, wanted him to be. Since that meant success and riches, however, Bunker was allowed to develop his own little cult of personality. Bunker liked nobody except the Republicans and Nixon. He was a New York construction hardhat, like the ones who cheered Nixon. His venom was directed at blacks, Jews, Puerto Ricans, Orientals, Europeans, Catholics, gays, Democrats, liberals, Communists, and everybody. The assumption was that he was a Protestant of English or Irish origin, but the writers wrote in his complaints for "drunken Irishmen" and "fag Englishmen." His view of God was that if you did not believe in Him you were a Communist, but beyond that little was explained. His son-in-law, Rob Reiner, ate him out of house and home, exasperating Bunker with liberal nostrums. His wife, Edith, was a dunce who did not stand up to him unless the writers decided that night's episode would feature women's rights, but the next time out she was back to her mousy self.
Bunker's "castle" was constantly invaded by a host of blacks, women, Hispanics and other minority-types from the New York "melting pot," all of them smarter than Arch and able to run rings around him intellectually. The only characters outside of Edith who stooped to his low IQ were his dumbass white bowling and lodge pals. The show worked, for one thing, because after years of racial intolerance, white America was ready to loosen up, laugh at themselves, and accept a little affirmative action comedy at their expense. It also worked because Bunker developed a cult status that Lear had not predicted. There were those who agreed with his views, and sitting at home these Joe Six-Packs spent the 1970s yelling, "You tell 'em, Arch."
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