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Versus
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Stacia gives an overview of the book:

Stacia Fleegal just can’t stop creating serious noise in her poems.  She’s a writer who isn’t afraid to make words crackle and snap, especially about how social class works in America, starting at the bottom and going up.  So, fair to say, you should expect something other than the tame lyric in this collection. Poetry this political often makes people nervous and want to look away.  Better that we had many more nervous readers and much more poetry as honest, direct, and inventive as what is found here in Versus. -Eloise Klein Healy, author of The Islands Project: Poems for Sappho and founder and editor of Arktoi Books, an imprint of Red Hen Press   Grounded in our contemporary culture, where wealth and power are being redefined, Fleegal’s poems express the anger of a generation disenfranchised by its presumed privilege. She unceremoniously...
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Stacia Fleegal just can’t stop creating serious noise in her poems.  She’s a writer who isn’t afraid to make words crackle and snap, especially about how social class works in America, starting at the bottom and going up.  So, fair to say, you should expect something other than the tame lyric in this collection. Poetry this political often makes people nervous and want to look away.  Better that we had many more nervous readers and much more poetry as honest, direct, and inventive as what is found here in Versus.

-Eloise Klein Healy, author of The Islands Project: Poems for Sappho and founder and editor of Arktoi Books, an imprint of Red Hen Press

 

Grounded in our contemporary culture, where wealth and power are being redefined, Fleegal’s poems express the anger of a generation disenfranchised by its presumed privilege. She unceremoniously exposes an america that has lost its status as a proper noun, and she argues for the right to “love with a capital V.” These are statements of protest, cries for solidarity—but cannot be mistaken for slogans. Each poem is a sharp-edged gem crafted into a collection that is in dialogue with itself and with the reader: where “I don’t” follows “I do” and “she can’t” leads to “you can.”  

-Ren Powell, author of Mercy Island, founding editor of Babel Fruit and Protest Poems.org, and associate editor of Poemeleon

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Saving the World?

 

Sure, I’ll take a stab at it.
How about

butterflies? How about caring
that the Homerus swallowtail,

the largest of its genus in
the western hemisphere, is

nearly extinct?
Now, dilate

that feeling, like a camera
lens panning

a field of swallowtails. Make
that field mean something

bigger. Orange, maybe
fire flying. Pretend

you can’t catch it
with nets. Let it burn.

stacia-m-fleegal's picture

Note from the author coming soon...

About Stacia

Stacia M. Fleegal is the author of two full-length collections of poetry, Versus (BlazeVOX, 2011) and Anatomy of a Shape-Shifter (WordTech, 2010), and two chapbooks of poetry, The Lines Are Not My Friends (second place, 2009 Cervena Barva...

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Published Reviews

Nov.12.2008

"[Fleegal's] poems exist on the cusp of discovery, 'a secret about to be told'...The voice in these poems is also a warning, a young woman cautioning herself in retrospect about love’s decoys and the blind...

May.16.2010

"Ms. Fleegal has takes on people and life that one does not always see...For those who enjoy poetry with wry humor, different takes and serious thoughts, this is a collection for you."