The latest incident of self-censorship sounds like a bad joke -- a very bad one, at which no one, except the usual morons (Muslim extremists and Islamophobes) could possibly laugh.
The respected UK publication “Index on Censorship” revealed today that it has censored itself. Citing fears for the safety of its staff, Index’s board of directors voted not to allow Index’s editor to use the infamous “Danish cartoons” as an illustration for today’s interview with Brandis University professor Jytte Klausen, author of “The Cartoons That Shook the World.” Publisher Yale University Press had expunged from the book all illustrations of the Prophet Muhammad, including the cartoons. To read the interview, go to http://www.indexoncensorship.org/2009/12/from-the-magazine-see-no-evil/.
Explaining the board’s decision, chairman Jonathan Dimbleby cites concerns for the safety of staffers as well as for others working in the same office building -- despite the fact that, as with Klausen’s book, there have been no threats but only fear of threats. To read his statement, go to http://www.indexoncensorship.org/2009/12/jonathan-dimbleby/.
The board’s vote on the matter was discouragingly one-sided: Reportedly, one member voted “nay” and one other, Kenan Malik, was not present. Malik, author of the book "From Fatwa to Jihad" exploring the cultural legacy of the fatwa against Salman Rushdie, did, however, post an essay critical of the decision. You can read it here: http://www.indexoncensorship.org/2009/12/kenan-malik/
“The question that now arises is this: what should Index do when the next Jewel of Medina comes along? After all, we cannot in good conscience criticise others for taking decisions that we ourselves have taken and for the same reasons,” Malik writes.
Meanwhile, as the author of “The Jewel of Medina,” whose publication was canceled last year because of warning that there might be threats (Beaufort Books picked it up and has also published its sequel), I find it difficult to post an analytical response. I can only speak from the heart. My heart is breaking over this senseless, fear-based, knee-jerk act of self-censorship from a publication whose purpose is, supposedly, to protest such acts.
Who has the courage to walk the talk these days? Here’s my fear: that our numbers are dwindling. Last year, after three fanatical Muslim men set fire to UK publisher Gibson Square’s home office before anyone had even published “The Jewel of Medina,” a British news reporter asked me if it wouldn’t be easier just to withdraw publication of the book altogether?
Irritated, I responded that “This isn’t about me or my book any more. It’s about the future of free speech.” If I backed down -- and believe me, I was terrified for my own safety and that of my family -- I thought I might deal a crippling blow to the Western value I cherish most, that of the right to speak and express ourselves freely, without fear of retribution. In spite of my fear, I vowed to demonstrate only courage, so that perhaps I could serve as an example to others. It seems I have failed. But I will keep trying..
Where are the heroes? Now that Index on Censorship has failed us, where in the UK and America can we turn for defense of this most precious of freedoms? Irshad Manji. Kenan Malik. Paul Sims, editor of The New Humanist, which posted a blog critical of the decision today (http://blog.newhumanist.org.uk/2009/12/censorship-row-at-index-on-censorship.html). Jytte Klausen, who is becoming, against her will, a vocal advocate for free speech and against censorship.
Adding insult to injury, Mr. Dimbleby cites the arson at Gibson Square over “The Jewel of Medina” as justification for the Index board’s vote. He calls it a “firebombing.” Weary, I must again set the record straight: Three unemployed/underemployed thugs poured diesel fuel into the letter slot of the UK home office and followed it with a lighted match. Scotland Yard already knew of the plot and had spirited the publisher out of the house beforehand. They put out the fire immediately and arrested the perpetrators, who are now in prison. This hardly amounts to a “firebombing,” which is, however, a fine word to use for drama’s sake.
One result of this lone criminal act has been the unavailability of “The Jewel of Medina” or its sequel, “The Sword of Medina,” in UK bookstores, despite their best-seller status in a number of countries (where some publishers have also been afraid, but have published nevertheless).
Now, though, we see a domino effect occurring: My original U.S. publisher decided not to publish “The Jewel of Medina” because of warnings that there might be threats. The outrage over this decision led to the UK attack, which is now used to justify similar censorious acts. The Yale University Press decision to exclude all illustrations from Klausen’s book also occurred in the absence of threats. The Index on Censorship board’s decision follows, also in the absence of threats. Each act of self-censorship sets the stage for the next. Is cowardice now the rule rather than the exception?
Who isn’t afraid of death? Yet dying is unavoidable. It’s how we live that matters. I choose to live with courage and conviction. Because, without free speech we have no freedom at all, which is a fate worse than death.
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Fear itself
Sherry,
I know everyone really appreciates hearing this straight from you personally. So many decisions, usually terrible ones, are driven by fear. Whether these fears turn to action in the cultural or political theatres of war, or in people's families or workplace, fear-based decisions are the enemy.
Not all writers take on the world with their books, but the fact that some do, as you have, makes writing a noble profession. Thanks for sharing what goes on behind the scenes of a hero at her desk, in the Red Room.
Ivory Madison
Founder and CEO, Red Room
I am honored
Dear Ivory,
I am truly honored by your comment. Writing and, yes, publishing, are both noble professions. The struggles that many writers endure for the sake of art make me feel so humble. I am really striving to deserve the "publicity" that the controversy over my books has created. To that end, I'm using my voice to try to make a positive difference in the world.
Thank you for creating and bringing to life such a valuable resource to writers and readers as Red Room. I don't get to spend as much time here as I'd like -- I'm always so busy working on my next book and promoting the ones I've written -- but I cherish the community and the opportunity to connect with fellow word-lovers.
Have a great holiday season,
Sherry
Thanks for posting...
Back in February 2006, I made the decision, in my capcity as editor and publisher of Annoy.com, to publish all of the Danish cartoons.
Along with the following "disclaimer".
"The following 12 images were published in Denmark's Jyllands Posten newspaper, which sparked the furor among Muslims globally. The reason they are being displayed here is not to provoke, despite this site's name, but to allow our users to make an informed evaluation themselves. For the same reasons, we published Nick Berg's beheading and James Kirkup's poem. After two federal court cases, one before the United States Supreme Court, Annoy.com’s hard fought commitment to free speech – not an automatic guarantee, even in the West -- cost a lot in terms of time, determination and resources.
In the name of Christianity, Clinton Fein’s image of The Last Supper was ripped off the wall of a San Francisco gallery. Just prior to the 2004 election, his image of President Bush, 'Who Would Jesus Torture?', depicting the President as Jesus on a crucifix (along with an image of the American flag using the text of the Pentagon’s official Abu Ghraib report ) was destroyed deliberately by Zazzle, the Palo Alto based printing company.
Despite such visceral responses, not to mention the sentiments expressed by those over the Internet, Annoy.com published because we believe strongly in free speech.
We are not oblivious to the fact that religious and cultural differences are far more complex than anything we could articulate in this small space, but our fundamental belief is this. Freedom of expression is not reserved for those wishing to express their religious beliefs, but also those who question them."
The page, with the images, can be found at:
http://annoy.com/covers/doc.html?DocumentID=100773
P.S. Sherry, thank you for fighting for the publication of The Jewel of Medina and not capitulating to pressure to withdraw. Your involvement by no means disqualifies you from making an objective response to censorship in any form. On the contrary, it better qualifies you.
Brava, Sherry.
I suspect you never intended to become the leader of a movement to preserve free speech, but I'm so impressed with your courage. And bravo to Annoy.com for following suit. Thanks for standing tall.
Heroes!
Clinton, I checked out the annoy.com website, and I love it! Have you ceased posting content? I couldn't find anything more recent than 2007. I did LOVE this statement:
"Freedom of expression is not reserved for those wishing to express their religious beliefs, but also those who question them."
The fact that you posted the cartoons without any repercussion attests to the sheer ridiculousness of Index on Censorship's decision to exclude them. I hear from mediawatchwatch.org that they, too, post the cartoons whenever it is deemed journalistically appropriate. More heroes!
Louise, I agree, we all need to stand tall against the threats to our freedom of speech. As writers and readers, we ALL need to be blogging and speaking out against censorship of all kinds. And no, this is not a banner I would have envisioned myself taking up -- but considering my years of journalism and my highly idealistic, blue-collar background, it makes perfect sense! It is a banner I carry with pride.
Thanks so much for commenting here.
Sherry
fanatics
DANIEL CURZON Yes, we cannot let religious fanatics prevent criticism of their craziness. Long before 9/11, I wrote a play (in 1989) based on the Salma Rushdie fatwa, had a literary agent in London recommend it to three British producers, who all said that they would be bombed if they put it on. THE BLASPHEMER merely maintained that you have to stand up to people who shove their "truth" down your throat. They do not own the "truth." Finally in 2010 the director who did my GODOT ARRIVES there in 2009 is planning to stage this play. But even he fears that he may be beaten up or worse. We all need to persevere and display some courage on the "I am Spartacus" model.
fanatics
David, it seems the situation is even worse in the UK than it is here, probably at least in part because of all the new immigrants from Muslim countries. They're not "assimilated" into the culture as Muslims tend to be in the U.S., Spain, Italy, and other countries where the Muslim populations are more well established, I've been told.
Kudos to you for persevering with THE BLASPHEMER and to your director for staging it even though he is afraid. True courage comes not in the absence of fear, but in spite of it.
Sherry
Heroes, Martyrs and Tokens
Sherry, thanks for your comments here and on Pointing Fingers, and for your kind words about Annoy.com. There is definitely more recent material than 2007, although I have let the site flounder somewhat in preparation of a complete overhaul and re-framing of it next year. If you go to the index though, (http://annoy.com/home.html) you will see some more recent material.
Specifically, I think you may find my piece on Amina Lawal of interest. I did the piece in 2002, just as Amina Lawal's plight was back under the spotlight following comments by Oprah and the decision of Miss Canada to withdraw from the Miss World competition (being held in Nigeria) in protest of Nigeria's treatment of her. As you may recall, Amina Lawal was sentenced to death by stoning for adultery, and the judge, in an act of "leniency," postponed her stoning until the out-of-wedlock child was weaned.
It was the same time Julia Morley, the owner of the Miss World franchise, was refusing to acknowlege any political ramifications of holding the pageant in Nigeria, disqualifying Miss Canada for refusing to come to Nigeria, and ignoring the mounting protests by Nigerians to cancel the event.
It was the same time that a fatwa was issued against journalist Isioma Daniel by Zamfara state information commissioner, Umar Dangaladima Magaji after she dared suggest that Mohammed may have chosen a bride from among the contestants.
And it was the same time that over 50 people had to be stabbed, bludgeoned or burned to death during violent demonstrations in the northern city of Kaduna (related to the increasing anger over the article and pageant), before Julia Morley decided to hold the competition in London instead.
What I found the most fascinating, if one was to look at it from a conflict resolution standpoint, was that the most vehement aversion to the pageant was coming from religious, Islamic men and feminists from the west, for the exact same reasons.
Accompanying the piece, which depicted Amina Lawal as the winner, Julia Moreley as the runner-up, and a skeleton of one of the women killed in the riots as second runner-up, was a rewriting of the lyrics to the song "American Pie," retitled "Nigerian Cry," (http://annoy.com/covers/doc.html?DocumentID=100437) which foretold how soon Amina Lawal's plight would be forgotten. It's somehow more horrific when you sing it.
Numbers...
I had my numbers a little underestimated. Emmanuel Ijewere, a spokesman for the Nigerian Red Cross, said bodies littered the streets and an estimated 1,200 people had been injured and 12,000 left homeless by the clashes. Over 215 people died in the Kaduna riots.