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Look at Flower
Look at Flower
$14.00
Paperback
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BOOK DETAILS

  • Paperback
  • Mar.22.2011
  • 9780970829313
  • Coral Press

Robert gives an overview of the book:

         It’s June 1967, the Summer of Love, and Cynda “Flower” Evans has just run away from her dreary home in  Oregon for the glorious Haight-Ashbury in San Francisco.          There Flower tumbles into the hippie scene, spare-changing on Haight and crashing with the Grateful Dead, before getting swept up into grand ’60s adventures that send her hitchhiking and train-hopping across America: a radical bank job, escape to a timber camp in Montana (featuring the Lumberjack Chorale!), a turn disguised as a boy at Camp Wee-Ha-Lay-Ha in Minnesota, and finally to a commune called Old Bison, where she meets her ecstatic fate high above the New Mexico desert.          At turns both naïve and wise beyond her years, scruffy yet beautiful, heedlessly audacious and endlessly savvy, Flower is a character for any time, not just her own. 
Read full overview »

         It’s June 1967, the Summer of Love, and Cynda “Flower” Evans has just run away from her dreary home in  Oregon for the glorious Haight-Ashbury in San Francisco.

         There Flower tumbles into the hippie scene, spare-changing on Haight and crashing with the Grateful Dead, before getting swept up into grand ’60s adventures that send her hitchhiking and train-hopping across America: a radical bank job, escape to a timber camp in Montana (featuring the Lumberjack Chorale!), a turn disguised as a boy at Camp Wee-Ha-Lay-Ha in Minnesota, and finally to a commune called Old Bison, where she meets her ecstatic fate high above the New Mexico desert.

         At turns both naïve and wise beyond her years, scruffy yet beautiful, heedlessly audacious and endlessly savvy, Flower is a character for any time, not just her own. 

Read an excerpt »

            Look at Flower sitting on this grimy sidewalk half a block from Ashbury, my tin cup cool on the knees of my jeans where the embroidery wore off and my pale skin pops through, Toto tucked into my shirt between the third and fourth buttons (counting from the bottom), his back paws scratching my belly; look at Flower waving the cup and chanting in what Harley calls my sawtooth accent, whatever that means—he’s got me a little self-conscious, though what don’t I have to be self-conscious about, if I give it a moment’s thought (which I don’t)—anyway, I’m chanting “Spare change, spare change,” and rattling my cup and letting Toto pop out of my tangerine-colored Indian shirt, when this tall guy in a black collarless suit as out of place here in the Haight as a penguin stops in front of me and says, “Child, can I speak with you?”

            You know, they run buses down Haight Street these days, tourists from Iowa and Kansas and Pennsylvania get on ’em in their limeade pants and plaid jackets, and their faces agog through the windows as they see all the heathen hippies doing our heathen hippie thing here in the Summer of Love, like Life magazine called it, and so sometimes I feel just like a baboon in the zoo, and that’s what I feel like now with this man looking down at me. Oh, yeah, I tell him no.

            But of course he’s just like my Dad back in Bend, and he doesn’t take no for an answer; he squats down on his knees—they creak!—and looks straight at me and says, “You look like a darling angel, why are you here among these heathen?”

            See, I told you! They actually use that word!

            “It’s groovy, sir,” I say and plant a big winsome smile on my face. (Not only Toto’s got that move down.)

            “Groovy?”

            “Yeah, it’s groovy.” Big smile. They assume you’re dumb, you just play dumb. 

robert-g-dunn's picture

I'm pleased that such '60s legends as Wavy Gravy ("Here lies the anatomy of a hippie chick. Check it out!") and Commander Cody (“A wonderful book—full of memories of the beautiful times long gone and much forgotten by all but those of us who were there.”) have endorsed the novel.

I think it will be read and enjoyed by anyone fascinated by the Summer of Love days in the late '60s, either if you were there or have long dreamed of that magical time.

About Robert

I'm a writer, teacher, and musician. I've published widely, including an O Henry Prize-winning story, as well as fiction in The Atlantic, Redbook, Omni, and numerous literary journals, a poem in The New Yorker, and a front-page essay in the New York Times Book Review. Back in...

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Author's Publishing Notes

This novel, though published as adult fiction, has been given an official Graded Reading Level of Ninth Grade and Above.