Hailing from the Hoosier state (where she grew up in the shadow of the Indianapolis 500 racetrack), Melanie Lynne Hauser is a late bloomer who is just now figuring out what she wants to be when she grows up. Having tried her hand at telemarketing, candy striping for a nursing home (where it was suggested she not return, after she mistook the men's plastic urinals for water bottles and put ice in them) and acting under her maiden name, Melanie Miller (Most Academy Award-Worthy Performance: The title role, complete with bear costume, in the gut-wrenching exploration of good touch/bad touch entitled "What's the Matter, Little Bear?"), she put everything on hold in order to marry, have two children, and spend her time making sure they didn't stick their fingers in electrical sockets. (Both the husband, and the children.)
However, the children grew up. At an age when many women throw themselves back into their careers after raising their children, Melanie looked around and realized she never had one in the first place. After deciding she had no real marketable skills, she turned to the one thing she did know: Books. A bookworm from the time she was able to form words, Melanie realized that what she really wanted to do was write books. So she wrote one. It stank. She buried it n her backyard, next to the compost heap. She wrote another book. It didn't stink quite so much; in fact it got her not one, but two literary agents. Still, nobody wanted to publish it. She wrote another book. It stank the least of all, and led her to her current, wonderful literary agent, but still it went unpublished. Then she wrote CONFESSIONS OF SUPER MOM. So far, nobody has said that it stinks. In fact, so many people liked it that the sequel, SUPER MOM SAVES THE WORLD was also published. She has also contributed an essay to the anthology, IT'S A BOY! (Women Writers on Raising Sons) And finally, at long last, Melanie has a career. (And old men in nursing homes everywhere breathe a huge sigh of relief.)
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