where the writers are
anticipation…

Isn't that what soap opera is really all about? Anticipation of an event and its aftermath, then watching where the next story leads.

A couple of weeks ago when I was complaining about the lack of story on Guiding Light, I mentioned the evolving relationship between Olivia and Natalia:

Two heretofore heterosexual women, one of whom is devoutly Catholic, fall in love. The relationship between Olivia and Natalia has developed organically; the conflicts between them come out of their differences in life experience and personality. It could be the stuff of great soap opera, but will they do it? And if they do, will it be too little, too late.

A lot has happened on the show since I wrote those words in early January. Fearing the worst, I held my breath when Olivia's daughter, Emma, presented a class report titled "My Two Mommies" a couple of weeks ago. But when a frustrated Olivia kissed the clueless Natalia, who then proceded to accept Frank's invitation to go out, I realized that the story's been structured in a way that will allow every aspect of a possible late-in-life coming out to be examined, which gives me a reason - many reasons - to watch. It's not just that I want to know what's going to happen, I want to see how it's going to happen. It's been a while since there's been this kind of serialized storytelling on GL (the oldest soap on the air celebrated its 72nd anniversary this past Sunday - a belated Happy Birthday!)

Will Natalia pursue a relationship with Frank because she can't even consider the possibility of being attracted to Olivia? I hope so. And I can't wait to see Frank's reaction when he finds out. Then there's the return of Emma's father, Phillip, next month. I expect he'll have something to say about his daughter thinking she has two mommies. Emma's grandfather, Alan, already has.  And how will Olivia occupy herself while Natalia's off with Frank. Will Olivia and Natalia eventually wind up together? Maybe, or maybe not, but on soaps, it's getting to the outcome, not necessarily the outcome itself that keeps us watching.

Of course, the looming question is whether GL will stay on the air long enough to see this story through. But a single story does not a soap make. And, sad to say, Olivia and Natalia is the only story holding my interest right now. Much as I like Jeff Branson's portrayal of the war-damaged Shane, the whole story feels a little forced - a lot of telling through exposition rather than showing by revealing characters' emotions.

Same with the Beth-Coop romance, which isn't doing it for me either. I get that for Beth, her relationship with Coop takes her back to her early days with Phillip. But the first time I really felt it rather than knowing it was in last week's scenes between Beth and Rick, which was a nice little treat, as were the Beth-Buzz scenes from a few weeks ago. But as with Shane, it's been mostly exposition. And since how John Driscoll's Coop will be written off next month is being foreshadowed with all the subtlety of a sledge hammer, I can't say that I'm looking forward to watching it play out. But I'll be around to see how things work out between Olivia and Natalia - or not.

© 2009 Lynn Liccardo

Limited Licensing: I, the copyright holder of this work, hereby publish it under the Creative Commons Attribution license, granting distribution of my copyrighted work without making changes, with mandatory attribution to Lynn Liccardo and for non-commercial purposes only. Lynn Liccardo

Comments
2 Comment count
Comment Bubble Tip

If Phillip does get upset about "My Two Mommies"

I'd be really ticked. "Philip! You haven't been in this child's life in four years! Get over yourself, dude!"

 I have to give you credit Lynn. You are more loyal than I am. Just the thought of Beth and Coop in bed gives me the creeps. They can explain it all they want, but Coop went out with Lizzie! Beth's daughter!

Okay, deep breath. Breathe.

The title of your blog reminds me how much I used to love when a story developed, when it came to a breaking point. Recently on Ryan's Hope they showed the episodes when all of Delia's lies are exposed. She does her normal drama queen act and says: "I'm going to kill myself! That's what I'm going to do! I'm going to kill myself!" Her husband Patrick opens a window and yells: "Go ahead and jump, Dee!" Now Claire Labine knew how long the viewers had been waiting for this scene. She knew it had to be perfect. And she made sure it was worth waiting for. I miss that.

Comment Bubble Tip

we all miss it...

what i can't figure out is why TIIC don't get it. the "go ahead and jump" moment was the perfect payoff. yet now, all we get is the occasional great scene or even episode. there is no longterm story, and at least on ATWT, it's a deliberate decision. and the numbers keep falling...

you're right about phillip being out of emma's life for so long, that's exactly the point.  i'm sure that olivia will be the first to remind him of his prolonged absence. it should be a good scene -- maybe more than one scene (she said hopefully:).