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Feel. Think. Self-edit. Say.

For someone who is so good with words (written), I can be downright dreadful with words (spoken).

This, I am learning, can be a common "writer thing." We're great manipulating language on paper, or computer screen. Give me something in print and I can do a speedy version of "Pimp My Page" like nobody else. (I really hate that phrase, btw. I find the fact that the concept of pimping has become a popular, positive thing in our culture to be abhorrent. So I take that back. Make it more like "Extreme Makeover: Literary Edition.") 

And then, when it comes to speaking in the same way, I.... bomb.

Don't get me wrong. I'm a good public speaker, and when it comes to defending my ideas in a professional, classroom or public setting, I have no problem whatsoever. It's more the personal stuff that sets me stuttering. 

About a month ago my boyfriend and I had a misunderstanding. I was upset at something, and he knew it, and was unhappy about it. The whole thing culminated in him sitting next to me and talking to me about how he wanted me to talk to him about it, how it frustrated him to know I was upset but to get nothing but silence, and how he needed us to have a discussion about this. He looked at me expectantly. 

I sat there. 

Oh, I had plenty to say. But my tongue had suddenly stopped working. I had fully formed sentences ready to go, but no way to give voice to them. What was my problem?

For not the first time, I wished I could just write stuff down and give it to him. Which is ridiculous. When someone is right there, expressing themselves carefully and clearly and awaiting your response, it just isn't good ettiquette to  say, "Hang on a sec, I need to grab my notepad!" and then sit there scribbling in silence while they're on the edge of their seat, frustrated upon annoyed, waiting on you to get your thoughts just so so you can continue the conversation. 

A lot of my hesitancy to speak up comes from deeply ingrained insecurities that have dogged my steps since childhood, and I think everyone is familiar with those in their own lives. But I realized that a big part of it was that my comfort with words and speaking tended to stop at the written page, and why? Not because I'm a control freak who has to have my thoughts arranged perfectly, but -- because nobody actually speaks that way

I hadn't realized until recently how much the brain-dead conversational habits of my peers had influenced me. When I write, particularly about my inner thoughts and emotions, I tend to be highly descriptive, vivid, and exploratory. I use specific, charged words that chime with accurate meaning in an attempt to pinpoint precisely my meaning. 

And, like, nobody talks like that!

That night, sitting there staring into a pair of earnest brown eyes patiently awaiting my answer, I realized that, quite simply, I was being a moron. 

My boyfriend is not what most college types would initially consider an 'intellectual.' Probably this stems from our tendency to define intellectual as a bookbrain, someone who uses a lot of Latinate words in everyday conversation. But in getting to know him, I have learned that my boyfriend is a highly inventive, creative man who is startlingly insightful and has a gift for speaking the way I write -- with erudition, specificity and descriptive clarity, and most important, emotional honesty. 

He can sit there and tell me what he is feeling, even when he struggles to find the right word, and even when he does it in ways that surprise me (because, again, no one talks that way any more...). I realized that I had to learn to be more like him. 

I am a writer, and it's what I'm good at. I will work to become better at it for the rest of my life. But I realized that I have to work on all my forms of communication. And I have had to fight my writer's prejudice against speaking, and learn to say things the way I am thinking them. 

The sentences which would seem normal flowing from my pen feel awkward on my tongue. But the more I share them, the more I realize their importance. 

And on the upside, it ensures that I can have a conversation in which I only use the word "like" if I am structuring a simile. 

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Insight

This was fun to read and rang true for me, too. Imagine how it feels for a person with perfect pitch to hear someone singing off key. Like you, if they realize that the singer is expressing feelings imperfectly but accurately, empathy will allow interesting and valuable communication.

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Insightful insight

That's a good comparison, Christine. And that can be taken on so many levels! For me, it can even be jarring to be thinking things one way but hear them come out differently. It's really the same issue that we face writing, too -- we have to force ourselves to get the ideas out, even if imperfectly, because it's often the emotionality behind them that drives them. The advantage writing has is that it allows us to go back and edit. I really sometimes wish that conversation had that feature. It would be so much less scary. :)

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fear and writing

I was wondering if you'd ever heard Stephen King say that he was told by his grandmother to talk about the things he was most afraid of and that would rid him of the fear. He uses that idea for ideas in writing. Seems like he's afraid of a lot of things, he is so prolific! I imagine if you were a painter of scenes instead of writing about them, you'd enjoy photo realism.

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Spot on!

Wow, Christine! You've got a knack for pinpointing. I do enjoy painting and drawing, and you're right -- I very much enjoy photo realism. Good call!

I had never heard that about Stephen King, but that's fascinating - no wonder he's so good at capturing fear on paper! When you talk about things you fear, if you can take the element of fear out of them through releasing them verbally, then you can explore those fears more deeply, which is probably why he is our literary master of terror. 

Do you find that if you talk out a story idea too much that it dies on you? I've heard that from time to time. I craft my stories in my head and I'll work on a plot or a character over and over, for a long time, before I ever put them on paper. But I find that I don't talk about them. I feel the need to keep them secret until I put them into print. Maybe it's just that fear of letting them escape before I've finished forming them fully! No half-baked ideas running around! :)

Have you had similar experiences?

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Terror and Disappearing Characters

Hi Kyla,

My problem seems more to be finding something for my characters to DO. I can imagine characters and their appearance, but how to have them interact and finding what their purpose is is my stumbling block. It's horrible to the point that I think I am not meant to be a novelist. But, on the other hand, I don't want to be someone who goes around describing pretty flowers all the time. I love to look at pretty flowers, don't get me wrong, but it's only so interesting for just so long, and then boredom sets in. I am always going around thinking to myself, "Wow, the clouds are amazing!" Well, that's okay, but then what.

If your characters are kind of dying on you, maybe you're overcontrolling them, making them perfect in your head, not letting them have enough room to live on the wild side? I know that when I have an imaginary scenario in my mind, it seems so vivid and interesting, but when I try to tell it to someone, they kind of seem ho-hum, like "I guess you had to be there." It's discouraging, but I think just screwing up your courage to send your characters out into the world and let them live on their own might kind of surprise you.

On the other hand, keeping them under wraps is kind of like having a secret you don't want to reveal until everyone is sitting there with rapt attention, anticipating a good story. It kind of puts the pressure on you to really write a good story then, but I can see the validity of it. I've known people to say that revealing the idea - even the creative process behind the idea - takes the energy out of it and diminishes it. The final product is ready when it's ready. Your process seems to take a lot of internalizing and mental preparation. If you can accept that and respect that as a requirement of your creative process, you might be more comfortable with it.

Does that make sense?
Christine

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I loved reading this

I loved reading this because I understand completely, though I haven't quite mastered the part about not using "like" like all the time when I talk