If a decade is lucky, it gets the magazine it deserves. The 1920s had Harold Ross’s New Yorker; the ’60s, Harold Hayes’s Esquire. The 1980s were perhaps luckier than they deserved: Tina Brown’s remake of Vanity Fair and then, in October 1986, a deliciously vicious newsstand cherry bomb calling itself Spy,
Causes Kurt Andersen Supports
1. Conservation International
2. Cooper-Hewitt National Design Museum
3. Pratt Institute.