'CAPITALISM: A LOVE STORY' - In Wide Release October 2nd /// "It's a crime story. But it's also a war story about class warfare. And a vampire movie, with the upper 1 percent feeding off the rest of us. And, of course, it's also a love story. Only it's about an abusive relationship. /// "It's not about an individual, like Roger Smith, or a corporation, or even an issue, like health care. This is the big enchilada. This is about the thing that dominates all our lives — the economy. I made this movie as if it was going to be the last movie I was allowed to make. /// "It's a comedy." — Michael Moore [ctrl-click to launch movie trailer]. Caption & Image Credit: mmflint
Moore Gaining More Through "Capitalism"
As much as Michael Moore hates capitalism (you know - Product, Price, Place, and Promotion), he sure keeps going back to the well to churn out more product which he can sell to his loyal, fearful, and hateful hoards.
In his latest project titled "Capitalism: A Love Story", Michael leaves no doubt how much he loves the money he makes by never straying from his basic formula. A Documentary style, smattered with dubious "FACTS" and a confrontation from Michael Moore, himself, the true love story of this latest (or any, for that matter) effort.
With Michael Moore, he is not happy unless he has a villain(s) upon which to heap disgust and insult as he sets himself up as the showman arbiter of a proper social justice. Politically, socialism is always the answer for Moore as he drags in the capitalist cash from his little, yet very profitable film enterprise!
U.S. director Michael Moore (L) and his wife Kathleen Glynn pose for photographers on the red carpet at the 66th Venice Film Festival September 6, 2009 [ctrl-click to launch movie trailer]. Image Credit: Tony Gentile
This excerpted and edited from Reuters -
Michael Moore's "Capitalism" economical with facts
By Deborah Young - Mon Sep 7, 2009 8:22pm EDT
Simplifications are Moore's stock-in-trade, and his documentaries are not known for their impeccable research and objectivity. But here his talent is evident in creating two hours of engrossing cinema by contrasting a fast-moving montage of 50s archive images extolling free enterprise with the economic disaster of the present. Given the desperate state of the world economy, this provocative film should find attentive audiences along with many angry detractors who will give it free publicity.
As in his previous films, Moore is himself the chief character, offscreen narrator and investigator. Wearing his inseparable baseball cap and T-shirt, he pretends wide-eyed surprise as his interview subjects recount personal dramas related to America's economic meltdown. These are genuinely moving stories: a couple whose farm is in foreclosure, a family that discovers the father's company has taken out a lucrative insurance policy and earned $5 million on his premature death, tearful workers whose factory is suddenly shut down, commercial airline pilots so underpaid they live on food stamps.
Moore has assembled a collection of nearly unbelievable horror stories to illustrate why capitalism and democracy do not go hand in hand.
The second half of the film is even more chilling in suggesting, through interviews with a number of worried members of Congress, that the country's $700 billion bailout was legalized bank robbery, a "financial coup d'etat" run through Congress just before elections and engineered principally by Goldman Sachs and Henry Paulson.Though it blames all political parties, including the Democrats, for caving in with the bailout, the film is careful to spare President Barack Obama, who remains a symbol of hope for justice. His support for the workers who stage a sit-in at their factory is paralleled to Franklin D. Roosevelt's call for a new bill of rights -- never implemented -- guaranteeing universal health care.
Over the next few weeks to months, we will see how much stomach our movie-going society has for Socialism as we discuss the Public Option and Triggers when the Obama Administration and our Democrat Party led Congress tries to shove socialized universal health care down our collective tax-payer throats with impossible promises and 51 Senator "Yes" vote reconciliations.
As far as Michael Moore's "Capitalism: A Love Story" ... the Paramount Vantage/Overture project opens in limited release on September 23 in New York and Los Angeles. With any luck, due to political overload caused by health care and other Obama Administration and Democrat Party leadership agendas, the movie will go straight to DVD/Blu-ray after the first week due to lack of interest!
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