by Steven Zeitchik
The death of Osama bin Laden at the hands of a U.S. strike force makes for some captivating storytelling, and throughout Hollywood on Monday, discussions reverberated about how to turn the news into a captivating movie.
As we report in a story in Tuesday's Times, the movie business is in a bind. Executives and filmmakers sense an opportunity -- the Bin Laden killing is one of the few post-9/11 military tales with a satisfying conclusion for American audiences. But it's also tough to make a story suspenseful when everyone on the planet knows how it ends.
Some saw a big commercial play in the Bin Laden strike, so long as any potential film avoids, well, darkness or nuance (darkness and nuance being that things that may have doomed the box-office fortunes of a host of Iraq and Afghanistan war movies). “You need a big star and a lot of action, something the audience can cheer for,” said one longtime studio marketing executive. Call it the U-S-A version of the film, and one that a Sylvester Stallone could adapt, with only some liberties, for the upcoming "Expendables" sequel.
Another action movie in the works that might be ripe for a Bin Laden plot element: Tony Scott's film based on TV's “24.” Kiefer Sutherland's Jack Bauer of course is a shrewd and lethal government counter-terrorism agent whose storylines often parallel current events. Fans already seemed to be sending Scott a message on Sunday night: Shortly after President Obama announced Bin Laden had been killed, “Jack Bauer” was a trending topic on Twitter.
But others in Hollywood, including Bryan Singer, who directed “Valkyrie” — the 2008 Tom Cruise movie about an elite group conspiring to kill Hitler — said they saw in the Bin Laden saga a chance for something more detail- and character-driven.
"I could see a kind of ‘All the President’s Men,’ where we track moments of intelligence and how agents followed the trail,” he said. “Just because we know how the story ends doesn’t mean it can’t be interesting or exciting.”