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List Of Pros And Cons About Self-Publishing

I do indeed have some manuscripts which I consider for self-publishing. I would rather that each and every one instead be produced by a traditional publisher. They should still do a better job than I, and allow me to do what I really want to do - write novels. To my -perhaps simple- eye, traditional publishers should add the eBook component to their paper product. The editing and the promotion aspects remain the same. If anything, production and distribution of eBooks seems a more simple matter. However, I heed the observations of Edan Lepucki in this article.

 

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Reasons Not to Self-Publish in 2011-2012: A List

by Edan Lepucki

In a previous essay, I interviewed four self-published authors I admire, and I examined some of the benefits of that career path. Midway through writing the piece, I realized I’d have to continue the discussion in a second essay in order to fully explore my feelings (complicated) on the topic (multifaceted). You see, Reader, I still don’t plan on self-publishing my first novel, though I don’t deny the positive aspects of that choice.

Below I’ve outlined a few reasons behind my decision, informed by our contemporary moment. I can’t predict the future, though I’m sure I’ll remain comfortable with my opinions for at least another thirteen months. It’s in a list format, the pet genre of the blogosphere. How else was I to keep my head from imploding?

1. I Guess I’m Not a Hater
People love to talk about how traditional publishing is dying, but is that actually true? According to The New York Times, the industry has seen a 5.8% increase in net revenue since 2008. E-books are “another bright spot” in the industry, and the revenue of adult fiction grew by 8.8% in three years. (Take that, Twilight!)

Of course, the industry has troubles. The slim profit margins of books; the problems of bookstore returns; the quandary of Borders closing and Amazon forever selling books as a loss-leader; how to make people actually pay for content, and so on. Furthermore, the gamble of the large advance strikes me as ridiculous — and reckless, considering that editors and marketing teams have no real clue which books will be hits and which ones won’t. (Still, what writer is going to kick half-a-million out of bed?) And there’s the always-chilling question: With mounting pressure to turn a profit, how do editors justify publishing an amazing book that might not speak to a large audience? Talented authors — new and mid-list — are bound to get lost in this system.

And yet. And yet. I read good books by large publishing houses all the time, books that take my breath away, make me laugh and cry and wonder at the brilliance of humanity. I trust publishers. They don’t always get it right, but more often than not, they do. As I said in the piece that started me off on this whole investigation: “I want a reputable publishing house standing behind my book; I want them to tell you it’s good so that I don’t have to.”

2. I Write Literary Fiction
coverBefore you get your talons out, let me clarify: I don’t consider literary fiction superior to other kinds of fiction, just different; to me, it’s simply another genre, subject-wise and/or marketing-wise. Many of the writers who have found success in self-publishing are writers of straightforwardgenre fiction. Amanda Hocking writes young adult fantasy, dwarfs and all. Valerie Forster, who published traditionally before setting out on her own, writes legal thrillers. Romance, too, often does just fine without a publisher. Aside from Anthropology of An American Girl by Hilary Thayer Hamann, I can’t think of another literary novel that enjoyed critical praise and healthy sales when self-published. That’s not to say that it can’t — and shouldn’t — happen, it’s only to point out that it’s a tougher road for writers of certain sorts of stories. Readers like me aren’t seeking out self-published books. Why not? That’s for another essay. (Please, can someone else write that one?) Until the likes of Jeffrey Eugenides andAlice Munro begin publishing their work via CreateSpace, I don’t see the landscape for literary fiction changing anytime soon.

 

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