He pushes through the door of his apartment, then shuts it against the world. Bypassing the kitchen, he goes into the living room where he lowers himself into a chair, sighing as he slips into its warm, pillowy embrace. Slowly, his sluggish movements betraying his exhaustion, he bends down, pops the snaps on his ankles and removes his aching feet. Lies back in the chair, closes his eyes, willing himself into a state of enforced lethargy. His left shoulder twitches spasmodically, a reaction to the day’s rigorous exertions. He reaches up, unlatches the shoulder from its socket, lets the arm drop to the floor. He then divests himself of his legs, checking the hinged knees for signs of wear and tear before settling back in the chair. But then he feels a thrill of pain in his lower back so he reaches behind him, depresses two switches and squirms out of his pelvic cavity. His head is throbbing, so with one practiced tug that goes too. But the respite is short-lived because then the phone rings—so he has to use his remaining arm to stick his head back on and reach for the receiver. Charlotte, it’s always Charlotte, asking to see him, pleading with him, threatening him, wailing at him until finally he gets sick of listening to her and hangs up. In the time it takes her to re-dial, he peels off his ears and plucks out his tongue.
© Copyright, 1990 Cliff Burns (All Rights Reserved)
* This story originally appeared in my 1990 short story collection Sex & Other Acts of the Imagination
Causes Cliff Burns Supports
The Stephen Lewis Foundation, Community Radio