The Mind’s Eye – writings on Photography and Photographers, by Henri Cartier-Bresson, is a lovely book I received for Christmas from a dear friend. I was reminded how H C B inspired my photographic work with its poetry and Golden Mean, and still inspires other creative areas, including my writing.

For H C B photography led on to include painting & drawing. For me photography led on to include writing, in the way H C B said: ‘The writer has time to reflect. He can accept and reject, accept again; and before committing his thoughts to paper he is able to tie the several relevant elements together. There is also a period when his brain ‘forgets,’ and his subconscious works on classifying his thoughts. But for the photographer, what has gone is gone forever.’

The impact of H C B’s images is hard to define. They exemplify what many photographers aspire to but can’t name. Not only do most of his shots surprise by capturing the essence of a fugitive moment, a magical decisive one, they are framed in a way that touches all the elements of motion in a dynamic balance.

‘My passion has never been for photography ‘in itself,’ but for the possibility – through forgetting yourself – of recording in a fraction of a second the emotion of the subject, and the beauty of the form; that is, a geometryawakened by what’s offered.’

‘I hope I’ll never see the day when photo shops sell little schema grills to clamp onto our viewfinder; the Golden Rule will never be found etched on our ground glass.’

I let Henry Cartier-Bresson talk for himself:  http://www.youtube.com/watch?v=MW7I3GBdsBw

Inner Silence

H C B speaks in relation to portrait-photography of looking for the silence in the person. I guess he was looking for the silence behind everything. This silence was most likely what he was attentive to. I conjure that this silence lies between each breath, from which all phenomena emerge from second to second – from that timeless soul-garden within us – which we can tune into.

What I am saying is – H C B could not have captured these decisive moments without having experienced the silence within him. From this timeless state we glimpse the joie de vivre with its awesome sense of wonder generated and re-generated from eternity that makes life worthwhile and meaningful. It’s probably this glimpse, the ethic of this silent sphere that drives all anarchist artists.

Why Black and White and not Colour?

In 1952 colour film emulsion was not well developed. H C B said then:‘I am half afraid that this complex new element may tend to prejudice the achievement of the life and movement which is often caught by black and white.’

He was concerned that  composition would suffer and be overpowered bycolour. I remember when colour TV was first introduced, I intensely disliked the busy business cramped into a small frame. Colour can however be used as alanguage, and I am certain H C B would have cottoned on to this had he lived on.

Here a sample of my own to illustrate colour’s use.  http://500px.com/photo/6913693?from=set/266780

In 1974, together with other freelance photographers, Henri Cartier-Bresson founded Magnum Photos. See also:http://www.henricartierbresson.org/pres/home_en.htm

H C B’s second wife, the Belgian-born Martine Franck, was an inspired photographer in her own right: http://www.theworld.org/2012/08/remembering-celebrated-photographer-martine-franck/

I am wishing all my readers and visitors a wonderful creative New Year …. 

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