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Dear James Baldwin (in lieu of) Dear Barack Obama
bibliomaniac
"Believe so deeply in life that life is left no choice except to believe in you."--Aberjhani
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U.S. Postal Service tribute stamp featuring author James Baldwin

Dear Mr. Baldwin-

If I were not writing this letter to you as one of my favorite authors, I would probably be writing it to Barack Obama because there is a great deal about him which tends to remind me of a great deal about you. The sentence structures he employs in his memoir, Dreams from My Father , often curve in and out of passages that virtually sing with eloquence and yet, at times, shout with an unruly detachment  in defense of truths many people generally prefer not to hear. The first time I heard such courageous music pour from the pages of a book or witnessed syllables explode like miniature bombs of revelation was when I read your Notes of a Native Son, then later The Fire Next Time.

Your birthdays are very close too--his on August 4, only two days after yours. But he was born in 1961, just after you turned thirty-seven. In that same history-forging year when you published the book of essays titled Nobody Knows My Name, addressed members of CORE in Washington, D.C., met with Malcolm X and Elijah Muhammad, traveled all the way to Israel and Istanbul, Turkey, and then, by the end of the year, completed what some still consider one of most controversial novels ever published in North America: Another Country.

Mr. Obama reminds me of you also because he could have easily chosen for himself and his family a fairly quiet life in which he might have enjoyed the comforts of substantial earnings and the respect of his peers minus the constant public jabs he now endures while working, seemingly unceasingly, on behalf on his countrymen. By the same token, you in 1954 could have elected to enjoy a nonstop bohemian party in Paris, France--hanging out with mega-diva Josephine Baker, fellow author Chester Himes, and the disturbingly brilliant artist Beauford Delaney-- instead of returning home to be spat upon while dodging rocks and bullets as you marched beside Martin Luther King Jr. and many thousands more to confirm, with spilled blood and weeping souls, our country's commitment to the ideals of Democracy.  Through essays, plays, and novels, you wrestled as naked as naked gets with the operational dynamics of race relations, sexual identity, and social imbalances as you witnessed them. Such a quintessential artist-activist did you become that it was impossible to ignore you.

President Obama appears to me to have elevated and implemented the artist-activist concept to the role of empowered servant-leader, as creative in his vision of the world's possibilities as you were in yours, and as dedicated to the battle to help humanity liberate itself from the collective fears, prejudices, and ignorance that has yet to contribute anything of functional value to the world community. He is also impossible to ignore; so much so, in fact, that an entire new would-be political party/movement has formed to generate automatic negative criticisms of his every move or spoken word, whether instinctively brushing aside a fly or placing his well-traveled feet atop his desk. And you know what else? He said his favorite novelist is your old friend, Toni Morrison , and that he is particularly fond of The Song of Solomon, which just happens to be one of my all-time favorites as well.

Speaking of Ms. Morrison, I recall your description of her (in the late 1970s I believe it was) as "This rather elegant matron with quite serious intentions." You had already been resting in peace for six years when she won the Nobel Prize for Literature in 1993, but I had no doubt that on that day you, Richard Wright, Zora Neale Hurston, Ralph Ellison, Langston Hughes and a gang of others were all slurping celestial champagne and dancing to the glorious boom of Mahalia Jackson's gospel-anointed voice.

Sorry, I kind of got off track. I wanted to say the reason I'm writing this letter to you today instead of to Barack Obama is because, for some reason, last night I was thinking about my own literary works and suddenly recalled your statement that you wanted mostly, "to be an honest man and a good writer." And then today I received an email from the folks at Red Room suggesting members consider writing a letter to a favorite author, living or deceased. Just like that, you popped into my head and I heard myself talking with you, somewhat similar to the time I was writing my novel, Christmas When Music Almost Killed the World, and got stuck somewhere about halfway through it. I saw you in a dream when you said, "Shit baby, you slamming those keys like I used to! Don't stop now, it's getting better than you know." The dream--I always remember it because you were dressed like a guru with long strings of colorful Mardi Gras-like beads around your neck-- dissolved my writer's block and I pushed on to the novel's completion.

Author James Baldwin getting the job done. (UPI file photo)

During the four years I was stationed with the Air Force in England, you were still alive, and I was tempted every pay day to spend the rent money and car payment on a ticket to fly or float across the English Channel and see if I could track you down in the village of St. Paul de Vence. I was always proud of myself when I resisted the temptation, even while I shook like a junkie hungry for a fix in the worst way, and placed the endangered funds in my wife's hands.  I told myself I would get there at some point, and clearly had no way of knowing that less than a year after getting out of the Air Force I would be in Florida, collecting unemployment checks and working on a book, when the news would hit that you had died from stomach cancer. I didn't get pissed about never having spent the rent money to visit your home in France. I simply got drunk and read random passages from your books.

Once, I came across a response from Maya Angelou to critics who compared your works in fiction unfavorably to Ralph Ellison's Invisible Man. Angelou said there was no question that Invisible Man is a masterpiece but she held you in great esteem because you "did the work and produced the books." At the time, Invisible Man was Ellison's only published novel and would remain so for the rest of his life.  By the time of your death, you would have published some eight novels, at least as many volumes of nonfiction, four plays, and a collection of poetry.

Despite stones aimed at your head, guns pointed at your heart, or nooses tied with hopes of hanging you burning from one of them, it was just like Angelou said: you got the work done in a fantastically and indisputably admirable manner. And the fact that Mr. Obama is currently your homeland's president demonstrates that none of your words or works, on or off the page, were produced in vain. This letter comes to say Thank You for the example provided, and to acknowledge that although I cannot confirm any definitive results at this point, I continue trying very hard to get the work done because you proved it is not only possible, but worth the aggravating labor required, worth the numbing anguish so often endured, and worth the miraculous joy that sometimes--just sometimes--follows in the end.

Aberjhani
©June 2010

Comments
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call and response and there you go

There are at least half a dozen living authors to whom I could have and would have gladly written but what can I say--Baldwin's voice called, and, as indicated in the letter, mine responded.

Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

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thank you

What a great letter. Thank you for writing it and for posting it.

Take care,
Greg

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Glad you enjoyed it Greg

Baldwin himself was a great writer of letters to friends and to the world, so this gave me a good opportunty to place myself among those who were his correspondents.

Aberjhani
author of The American Poet Who Went Home Again and Encyclopedia of the Harlem Renaissance (Facts on File)

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RE: Letter to Mr. Baldwin

I thoroughly enjoyed your letter (Dear James Baldwin); hopefully you’re not too harsh on yourself for not getting to meet him as you once desired. I’m really curious about your closing comment. Are you willing to name the other authors/poets that came to your mind? I’m not acquainted with Mr. Baldwin’s work presently; so I’ll add him to my reading list for now. I’m thinking that some of your other choices should also make my list. Should I ever find my way back to Georgia, I’d like permission to look you up (and take you out for a meal). Your commentary on my Internet postings never fail to inspire me - and I’m grateful for your gracious words.

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the meeting on the page

I've long accepted that the meeting on the page between Baldwin and myself is probably the best kind of meeting we could have shared. I would have had no right to expect him to shine and burn in person with the same flawless brilliance as his works--especially after giving the world so much of himself-- just to entertain my sense of awe, however humble that same sense of awe may be. In person, by that time, the man was bound to have been weary, but not his books! He made a lasting gift of those and they never lose their vitality.

As for other authors I would write, there are quite a few, which is one reason I feel honored and grateful to be part of communities like Red Room. Here, I get to write and share mutually empowering comments with authors like You all time.

Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

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It's been a while!

This letter is a tracing of personal histories of a certain time - yours, Baldwin's, Obama's, Morrison's, and you weave them into a chain that can be extended to include different and newer ideas and interpretations.

When you say in your response that meeting Baldwin on the page was the best kind of meeting, it conveys an obviousness that we seem to not fathom. Whether as inspiration, hero or fellow traveller, the creative person is primarily the aura that s/he exudes that had drawn us in the first place.

Reality could well be better, in that the artiste/writer might be more affable or interesting in person, but it is different. The words won't sound the same as they do when you prise open the imagination.

This was a wonderful exploration, Aberjhani, and great to catch up with you again.

~F

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Great catching up with you also Farzana

It took me a while to accept that, as you put it so well, "the creative person is primarily the aura that s/he exudes..." But at some point it became clear enough that the greatest tribute I could ever pay a given literary, or other creative-artist hero, is authentic respect for the labors they undertake to produce the excellence they do. (Oprah Winfrey has said she demonstrates her respect for authors by reading a selected book in a single all-night page-turning session.)

That same realization somehow also encouraged me to dig a little deeper and try a little harder where my own creative efforts are concerned.  None of this means I will likely pass up an opportunity to get a favorite artist's autograph, or even to spend a few moments in their aura-tinted presence, but it does mean I simply back off more readily if they seem in need of some expanded personal space.

Aberjhani

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i just stumbled onto your letter to baldwin . . .

. . . and I wanted to thank you for it! What a full, rich missive! I'm glad I got the chance to read it "over his shoulder," so to speak. : )

Peace.

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Thank you Evie

 

I think this letter was sitting in my head and waiting for a reason for me to finally write it. The Red Room blog suggestion did exactly that and it came pouring out.

Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)